**book a comedy show

**book a keynote speech

** take a stand-up comedy class

** get help writing comedy material

The Winter Olympics have come and gone and I was pleased to have been the voice that kicked off the opening ceremonies – a big honour to have been part of such a huge celebration of all things Canadian. I also provided communication skills training for the Coca Cola Olympic torch and venue teams and performed stand-up comedy for Coca Cola as part of their Paralympic celebrations…busy busy!

Now I am getting into the swing of spring. Part of tidying the nest always seems to be setting things up for summer: festivals, conferences, retreats, fundraisers. I am looking forward to doing a lot of comedy, a lot of keynote speaking and a pinch of stilting as well! I am also around the Vancouver area much of the time and available for one-on-one coaching in public speaking and stand-up comedy. I was very proud to have provided the voice that was used at the beginning of the opening ceremonies for the Games in Vancouver and I am  going to be leaving soon to do another tour of the UK – doing both comedy and stand-up workshops  - stay tuned!

The next Vancouver stand-up workshop

will be Sunday August 22nd

and….Christopher will be performaing at the Vancouver East Cultural Centre on September 18th – ticket info to be posted soon!

There are some new photographs viewable at:

http://www.flickr.com/photos/chrismolineux/

They are mostly black and white, a number

of urban abstracts, from Vancouver and Seattle and

a pile from the UK

.

* If you have golf tournament, fundraiser or other event that needs a comedian let me know.

* I am also  available for comedy shows/ comedy coaching/ speaker coaching/ keynotes/ and of course, the Colossal Canadian. If you haven’t witnessed the Colossal Canadian do check out the video on this site:

http://chrismolineux.com/?page_id=10

Chris has an online discussion group on Facebook: “The Stand-up Comedy Workbench”   – the most recent topic is “Does all comedy need a victim?”

http://www.facebook.com/group.php?gid=28001744139

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There are many times that I wish to express my opinions in text regarding a certain style, technique or even performer but I find myself hesistant to do so. This is not due to a lack of conviction or a fear of reprisal but, rather, because of the slippery nature of the beast that is comedy. The question is, how can one make a valid appraisal of anything in stand-up when it seems implicit that it is all completely subjective? Is there any one criteria that can be used to measure the merits of a comedian or the techniques they use?

It would be valuable to consider a few possible candidates, namely originality, conviction, laughter and popularity.

Originality – Most particularly among comedians, originality is a most frequently used yardstick. This method of measure is also frequently used by reviewers, the general public and makes an appearance on the score-cards at every comedy competition. The problem with originality is it is both situational and non-qualitative. What seems original in one room in one town may appear completely derivative in another and by the time we find something that is completely original in all domains we are most likely to discover that it’s obscurity should probably be maintained for the benefit of crowds everywhere. This brings up the obvious fact that originality can come in the broadest measures of quality – some is inspiring and hilarious while a large measure of originality could better be labeled as oblivous self-indulgence.

Conviction – This beast is worthy of consideration but can be dispatched swiftly in our current survey. Conviction both subtle and bombastic can provide the firmest and most genuine footing for a comedic performance but even more than originality it is a breeding ground for the most arrogant and empty of performances as well.

Laughter – Well, this is the one, isn’t it? This is what so many people claim is the ultimate arbiter of stand-up. But it’s not, and for too many reasons to be covered adequately here but I will take a stab at a few. To begin with, laughter is only one point on the spectrum of enjoyment and amusement that an audience can experience. On a laugh per minute scale the highest scores would be usually be made by impressionists, high energy prop acts, shock comics and the like, none of whom are destined to end up in any kind of pantheon of comedy. Acts such as Bill Cosby, Lenny Bruce and Bill Hicks would be labeled as mediocre on a good day. Also, one has to consider where are we and who is doing the laughing? Certain acts are unbeatable on their own turf in terms of sheer laugh volume but the show doesn’t translate past the county line. In addition laughter is a nervous condition that can be induced by many things that don’t rank as great humour; shock and the artless violation of taboos are just two such examples.

Popularity Is the customer always right? In short… no. There are many ways to acheive a measure of success in show business and while talent is among them it certainly is far from the only way. If a 3rd rate comedian gets a small but memorable part in a hit movie, they become a headline act overnight. In fact a celebrity with no stage experience or material at all can hire a writer and instantly become a bigger draw than a talented and experienced (and original) comedian.

So what is the answer? Well, the easy answer is that a good comedian provides a balanced mix of all the above factors as well as a few others. There is, I feel, more to it than that. I think there are certain more nebulous criteria that define a truly great comedian and I will leave those for a later date…… I don’t want to go over my time.

http://twitter.com/chrismolineux

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How to get on stage for the first time

When people take my stand-up workshops they often talk about what a great fear they have about doing stand-up. The fear of public speaking and stage-fright in general are broad subjects but in terms of bridging that initial gap and actually putting yourself on stage I would like to provide something of a roadmap to anyone who is interested. The first key to this process is demystifying it; break it down into a few tangible elements. There are three main areas that you can put time and effort into that will ease you into your first stand-up performance that much more comfortably: construction, delivery and situation.

1 – Construction — Put together your material in advance – you will probably be doing a five minute set so put together the right amount of material and really get to know it. I say get to know it rather than memorize it because the process of word for word memorization can tie people up. If you have a style like Steven Wright you will have to do quite a bit of memorization but most styles are more flexible. In the time immediately before you go on stage refer a list of the subjects you are going to talk about( eg: drinking, Christmas, dieting, Mexico) rather than a total script. Putting together material is too broad a subject for me to cover in detail here but remember:

a – you should be doing material because you think it’s funny, not just because you think a crowd might laugh at it.

b – to go through and edit your material several times – go through it sentence by sentence and determine “is this part essential to understanding the bit?” and ” is it funny?” If it is neither…. Get rid of it! Keep things trim.

Once you have put together some material, edited out the non-essential parts and feel you can remember it all you are on the way.

2 – Delivery — In comedy, how you say things can sometimes be more important than what you are actually saying. Try to take note of what things define the way you speak and what people find amusing. You can work on delivery in casual conversations. If you have a subject you want to do some comedy on, talk with people about it – not necessarily as “a comedy piece” but just as a normal topic of conversation. Get comfortable on the topic, how you like to speak about it and what seems to amuse people. If you are inclined to doing voices, acting things out, telling stories, using facial expressions etc. pay attention to yourself when you are doing them and remember that you will probably have license to really use them on stage. So figure out some of the characteristics that you have and start getting control of them.

3 – Situation — Take control of the situation that comedy takes place in so it doesn’t take control of you. In a general sense, you should seize any opportunity you have that involves standing up and speaking to a group of people, if there is a microphone and lights involved, even better. This doesn’t have to involve any comedy at all, it is more about being comfortable in front of a group of people, holding their attention, using a microphone, having lights on you etc. etc. In the specific, you should go and see some live comedy shows, figure out which venue you might be able to perform in and get to know it. Get to know the people who organize the comedy show, get to know what type of crowds go there, meet some of the comedians, get to know how they perform and ask their advice, most are happy to give it.

Know what you are going to do, how you are going to do it and the situation that you will be in – it’s that simple. If you pay attention to these things you’ll be far more comfortable on that stage when you finally get there – and, I’m happy to answer any questions you might have about the process in the meantime – good luck and….. enjoy!!

http://twitter.com/chrismolineux

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